
plate no. 9318
John Ruskin, 1863
Recreating this painting will help students develop skills in atmospheric perspective and loose watercolor washes. It also provides practice in capturing the texture of natural forms with expressive brushwork.
technical profile
approach — 8 steps
Lightly sketch the main shapes: mountains, hillside, and the building.
Apply a light wash of diluted blue for the sky, allowing it to blend into the mountain peaks.
Paint the distant mountains with varying shades of blue and gray, using a wet-on-wet technique to soften edges.
Begin layering the hillside with washes of brown, green, and yellow, building up depth and texture.
Add details to the building with a small brush, using light and shadow to define its form.
Paint the trees and foliage with quick, expressive strokes, varying the color and value.
Add final details such as the path and small figures to enhance the sense of scale and depth.
Evaluate and adjust values and colors as needed to achieve the desired atmospheric effect.
color palette
primary · ultramarine blue · burnt umber · yellow ochre
secondary · raw sienna · payne's gray · white
Mix blues and grays with white for the sky and mountains. Use burnt umber and yellow ochre for the hillside, adding small amounts of blue or green to create variations.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paints for best results. Experiment with different brush sizes and shapes to achieve various textures.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke