apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·View from my Window at Mornex
View from my Window at Mornex by John Ruskin

plate no. 9318

View from my Window at Mornex

John Ruskin, 1863

oilRomanticismlandscapemountainsskylandscapetreesbuildinghillside
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose watercolor washes. It also provides practice in capturing the texture of natural forms with expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: mountains, hillside, and the building.

  2. step 02

    Apply a light wash of diluted blue for the sky, allowing it to blend into the mountain peaks.

  3. step 03

    Paint the distant mountains with varying shades of blue and gray, using a wet-on-wet technique to soften edges.

  4. step 04

    Begin layering the hillside with washes of brown, green, and yellow, building up depth and texture.

  5. step 05

    Add details to the building with a small brush, using light and shadow to define its form.

  6. step 06

    Paint the trees and foliage with quick, expressive strokes, varying the color and value.

  7. step 07

    Add final details such as the path and small figures to enhance the sense of scale and depth.

  8. step 08

    Evaluate and adjust values and colors as needed to achieve the desired atmospheric effect.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · raw sienna · payne's gray · white

Mix blues and grays with white for the sky and mountains. Use burnt umber and yellow ochre for the hillside, adding small amounts of blue or green to create variations.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·layering washes
  • ·expressive brushstrokes

common pitfalls

  • →Overworking the details
  • →Using too much water and losing control of the washes
  • →Failing to create a sense of depth
  • →Making the colors too saturated

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb or heavier)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil
  • ·kneaded eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paints for best results. Experiment with different brush sizes and shapes to achieve various textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke