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home·artworks·View from My Studio
View from My Studio by Hanno Karlhuber

plate no. 0572

View from My Studio

Hanno Karlhuber

oilMagic Realismlandscapemountainsdeskwindowfigurecomputerstill life
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and mood. It also provides practice in rendering various textures and light effects on different objects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Divide the canvas into three panels, lightly sketching the main compositional elements in each.

  2. step 02

    Establish the horizon line and the basic shapes of the mountains in the background, using a diluted wash of blue and purple.

  3. step 03

    Block in the foreground desk and objects with a thin layer of green and brown, paying attention to the perspective.

  4. step 04

    Begin layering the mountains, adding depth and detail with progressively lighter and cooler tones as they recede into the distance.

  5. step 05

    Develop the details of the desk objects, such as the books, computer, and lamp, focusing on accurate shapes and proportions.

  6. step 06

    Refine the lighting and shadows on the objects, using subtle color variations to create a sense of realism.

  7. step 07

    Add the final details, such as the reflections in the glass and the subtle textures on the mountains.

  8. step 08

    Glaze the entire painting with a thin layer of medium to unify the colors and add a subtle sheen.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Achieve the atmospheric perspective by mixing blues with white and a touch of purple for distant mountains, and adding more green and brown for closer elements. Use yellow and crimson to create warm highlights on the desk objects.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·color layering
  • ·soft blending
  • ·rendering reflections

common pitfalls

  • →Failing to establish a clear sense of depth in the mountains.
  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated and not blending them sufficiently.
  • →Neglecting the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x36
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a neutral color can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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