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home·artworks·View from Capodimonte
View from Capodimonte by Gabriele Smargiassi

plate no. 5999

View from Capodimonte

Gabriele Smargiassi

oil, paperRomanticismcityscapefiguresarchitecturelandscapetreescityscapepergola
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effects of light and shadow on various forms. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the pergola structure and the placement of figures.

  2. step 02

    Establish the horizon line and the distant cityscape with a light wash of color.

  3. step 03

    Block in the main shapes of the pergola columns and the foliage above.

  4. step 04

    Add the figures, paying attention to their proportions and poses.

  5. step 05

    Develop the details of the foliage, using varying shades of green and brown.

  6. step 06

    Refine the architectural details, adding highlights and shadows to create depth.

  7. step 07

    Blend the colors to create a soft, atmospheric effect.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw umber · yellow ochre · sap green

secondary · ultramarine blue · burnt sienna

Achieve the muted tones by mixing complementary colors and adding white to lighten the values. Use raw umber and yellow ochre for the warm tones of the architecture and landscape. Mix sap green with ultramarine blue for the foliage.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the colors too bright and saturated.
  • →Incorrect proportions of the figures.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes size 2, 4, and 6

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a toned canvas to create a warm underpainting. Consider using a limited palette to achieve color harmony.

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oil painting for beginners →how to learn by studying the masters →
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