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home·artworks·View at Eller
View at Eller by Hugo Mühlig

plate no. 0321

View at Eller

Hugo Mühlig, 1886

oil, cardboardImpressionismlandscapelandscapetreesfiguresbuildingsskyroad
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the atmospheric perspective of a landscape. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, figures, trees, and buildings.

  2. step 02

    Block in the sky with light blues and grays, blending softly.

  3. step 03

    Establish the ground plane with browns and greens, varying the tones to create a sense of depth.

  4. step 04

    Add the larger masses of trees, using a mix of yellows, greens, and browns.

  5. step 05

    Paint the buildings in the background, paying attention to their relative size and placement.

  6. step 06

    Add the figures, focusing on their basic shapes and proportions.

  7. step 07

    Develop the details of the trees, adding branches and leaves with visible brushstrokes.

  8. step 08

    Refine the details of the figures, buildings, and ground, adding highlights and shadows to create form.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix various shades of brown and green by combining burnt umber, yellow ochre, and ultramarine blue. Use white to lighten the colors and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating colors that are too saturated or uniform.
  • →Failing to establish a clear sense of depth and perspective.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish
  • ·mahl stick

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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