apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Victory Ball, 1781
Victory Ball, 1781 by Jean Leon Gerome Ferris

plate no. 9737

Victory Ball, 1781

Jean Leon Gerome Ferris

oilRomanticismhistory paintingfiguresballroomdancinghistoricalarchitectureclothing
experienced study

Recreating this painting will help students develop skills in figure drawing, capturing movement, and understanding complex compositions with multiple subjects. It also provides practice in rendering realistic fabrics and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background and architecture.

  3. step 03

    Start with the central figures, focusing on accurate proportions and poses.

  4. step 04

    Gradually add details to the figures, including clothing folds and facial features.

  5. step 05

    Work on the surrounding figures, paying attention to their interaction and placement within the scene.

  6. step 06

    Refine the lighting and shadows to create depth and dimension.

  7. step 07

    Add final details such as the decorations, patterns on clothing, and subtle highlights.

  8. step 08

    Review and adjust the overall balance and harmony of the painting.

color palette

primary · ultramarine blue · titanium white · burnt umber · cadmium red

secondary · yellow ochre · ivory black · alizarin crimson

Achieve the various skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Create the blues of the uniforms by mixing ultramarine with white and a touch of black for shadows. Muted greens are created by mixing yellow ochre, ultramarine blue and burnt umber.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to accurately capture the proportions and poses of the figures.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Ignoring the importance of lighting and shadows in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke