apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Victor Emmanuel II Entering Venice, 7 November 1866
Victor Emmanuel II Entering Venice, 7 November 1866 by Gerolamo Induno

plate no. 2719

Victor Emmanuel II Entering Venice, 7 November 1866

Gerolamo Induno, 1866

oil, canvasRomanticismhistory paintingarchitecturefiguresboatswaterflagscrowd
experienced study

Recreating this painting would help students develop skills in rendering complex architectural details, depicting crowds of figures, and understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of key elements like the building, boats, and figures.

  2. step 02

    Block in the main shapes and colors using thin washes of paint, focusing on the large areas of color.

  3. step 03

    Develop the architectural details of the building, paying attention to the intricate patterns and shadows.

  4. step 04

    Add details to the boats, including the figures, flags, and decorative elements.

  5. step 05

    Begin to refine the figures, adding details to their clothing and faces.

  6. step 06

    Work on the water, creating reflections and subtle variations in color.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition and color balance.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the muted tones by mixing earth pigments with white and small amounts of blue or red. Use glazes of transparent colors to add depth and richness.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering details
  • ·figure drawing

common pitfalls

  • →getting lost in the details too early
  • →inaccurate proportions of figures and architecture
  • →muddy colors
  • →flat or lifeless water

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a fine-grained canvas to allow for detailed work. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke