apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Via Ripetta Houses
Via Ripetta Houses by Lucian Grigorescu

plate no. 4184

Via Ripetta Houses

Lucian Grigorescu, 1921

oilImpressionismcityscapebuildingscityscapehousesskyfigurewindows
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on architectural forms and practice loose, expressive brushwork to convey texture and atmosphere. It's also a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, focusing on their relative sizes and positions.

  2. step 02

    Block in the main areas of color: sky, buildings, and foreground, using thin washes.

  3. step 03

    Establish the darkest shadows and lightest highlights to create a sense of depth.

  4. step 04

    Begin adding details to the buildings, such as windows, doors, and architectural features, using thicker paint and more defined brushstrokes.

  5. step 05

    Use broken brushstrokes to create texture and interest in the buildings and foreground.

  6. step 06

    Mix and apply subtle color variations to capture the nuances of light and shadow.

  7. step 07

    Add the figure in the foreground, keeping it simple and suggestive.

  8. step 08

    Refine the details and adjust the values as needed to create a cohesive and atmospheric painting.

color palette

primary · yellow ochre · raw umber · ultramarine blue

secondary · burnt sienna · titanium white · sap green

Mix yellow ochre and raw umber for the warm tones of the buildings. Use ultramarine blue with white for the sky. Burnt sienna adds warmth to shadows and details.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·alla prima
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.
  • →Making the buildings too symmetrical or uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann