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home·artworks·Vesuvius from Portici
Vesuvius from Portici by Joseph Wright

plate no. 7113

Vesuvius from Portici

Joseph Wright

oilRomanticismlandscapevolcanoeruptioncloudslandscapenight skycity
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for dramatic lighting, and rendering complex cloud formations. It also provides practice in creating a sense of depth and distance in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the volcano and the horizon line.

  2. step 02

    Establish the darkest values in the foreground and the sky, using a thin wash of burnt umber.

  3. step 03

    Block in the main shapes of the clouds with a mix of white, orange, and a touch of red.

  4. step 04

    Begin layering lighter values on the volcano, gradually building up the highlights with white and yellow.

  5. step 05

    Add details to the foreground landscape, using small brushstrokes to create texture and depth.

  6. step 06

    Refine the cloud formations, paying attention to the subtle gradations of color and value.

  7. step 07

    Add the bright light emanating from the volcano, using pure white and yellow.

  8. step 08

    Glaze thin layers of color to unify the painting and enhance the atmospheric effects.

color palette

primary · burnt umber · titanium white · cadmium red · cadmium yellow

secondary · ultramarine blue · yellow ochre

Achieve the warm, glowing colors by mixing cadmium red and cadmium yellow with white. Use burnt umber and ultramarine blue for the darker, cooler tones. Add small amounts of yellow ochre to create earth tones.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details in the foreground, which can flatten the sense of depth.
  • →Failing to create enough contrast between the light and dark areas, resulting in a muddy painting.
  • →Using too much paint in the initial layers, which can make it difficult to blend and glaze.
  • →Not paying attention to the subtle color variations in the clouds, leading to a flat and unrealistic sky.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·cadmium yellow oil paint
  • ·round brushes (#2, #4, #6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint

Use a high-quality canvas and artist-grade oil paints for best results. Allow each layer of paint to dry before applying the next.

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