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home·artworks·Vernal Falls, Yosemite
Vernal Falls, Yosemite by Thomas Hill

plate no. 7461

Vernal Falls, Yosemite

Thomas Hill

oilRomanticismlandscapewaterfallrockstreesmountainslandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in depicting the movement of water and creating depth through atmospheric perspective. It also provides practice in rendering realistic rock formations and foliage.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, mountains, and major rock formations.

  2. step 02

    Establish the sky and distant mountain with thin washes of blue and gray.

  3. step 03

    Block in the dark areas of the trees and rocks with a mix of browns and greens.

  4. step 04

    Begin building up the waterfall with layers of white and light gray, paying attention to the flow and movement of the water.

  5. step 05

    Add details to the rocks, using a variety of browns, grays, and highlights to create texture and form.

  6. step 06

    Paint the foliage, using short, broken brushstrokes to suggest leaves and branches.

  7. step 07

    Refine the details of the waterfall, adding highlights and shadows to create a sense of depth and movement.

  8. step 08

    Add final touches, such as small details in the foreground and subtle atmospheric effects.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · sap green · raw sienna

Mix various shades of brown and gray by combining burnt umber, ultramarine blue, and titanium white. Use yellow ochre and sap green to create natural greens for the foliage.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details, which can make the painting look stiff and unnatural.
  • →Failing to create a sense of depth, which can flatten the composition.
  • →Using too much pure white for the waterfall, which can make it look unrealistic.
  • →Ignoring the subtle color variations in the rocks and foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to help create texture in the painting. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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