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home·artworks·Venetian Women in a Church
Venetian Women in a Church by Wilhelm Marstrand

plate no. 0837

Venetian Women in a Church

Wilhelm Marstrand, 1853

oil, cardboardRomanticismgenre paintingfigureswomeninteriorarchitectureclothingtable
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and facial expressions, as well as understanding how to create depth and form using light and shadow in a complex composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement and proportions of the figures and the table.

  2. step 02

    Establish the background with broad, loose strokes of dark browns and grays, indicating the architectural elements.

  3. step 03

    Block in the main skin tones of the figures using a limited palette of ochre, red, and white.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle variations in color and value to create realistic forms.

  5. step 05

    Paint the clothing, using darker values to create shadows and lighter values to suggest highlights and folds.

  6. step 06

    Add details to the table and other elements in the foreground, using small brushstrokes to create texture and interest.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to the figures and clothing to bring the painting to life.

color palette

primary · raw umber · burnt sienna · titanium white · yellow ochre

secondary · alizarin crimson · ultramarine blue · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red; use ultramarine blue and burnt sienna to create dark shadows and grays.

techniques

  • ·portraiture
  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the loose, painterly quality.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate skin tone mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for texture. Consider using a toned ground for a more unified color scheme.

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