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home·artworks·Venetian Woman at her Toilette
Venetian Woman at her Toilette by Wilhelm Marstrand

plate no. 3262

Venetian Woman at her Toilette

Wilhelm Marstrand, 1854

oil, canvasRomanticismportraitportraitwomanfigurehairmirrorclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for rendering skin tones and fabric folds. It also provides practice in creating a sense of depth and atmosphere through limited color palette and soft edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the dark background using a thin wash of burnt umber and black.

  3. step 03

    Block in the main shapes of the figure with mid-tone values, paying attention to the overall color harmony.

  4. step 04

    Begin layering the skin tones, using a mix of white, yellow ochre, and a touch of red.

  5. step 05

    Develop the details of the clothing, using subtle variations in value and color to create form and texture.

  6. step 06

    Add the highlights and shadows to the face and hands, refining the features and creating a sense of depth.

  7. step 07

    Paint the mirror and other details, paying attention to their reflective qualities.

  8. step 08

    Glaze the entire painting with a thin layer of medium to unify the colors and add a sense of atmosphere.

color palette

primary · burnt umber · ivory black · yellow ochre · titanium white

secondary · cadmium red light · raw sienna

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Clothing colors are created by mixing burnt umber with white and small amounts of red or yellow ochre.

techniques

  • ·portraiture
  • ·value studies
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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