
plate no. 3262
Wilhelm Marstrand, 1854
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for rendering skin tones and fabric folds. It also provides practice in creating a sense of depth and atmosphere through limited color palette and soft edges.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on proportions and placement of the figure and objects.
Establish the dark background using a thin wash of burnt umber and black.
Block in the main shapes of the figure with mid-tone values, paying attention to the overall color harmony.
Begin layering the skin tones, using a mix of white, yellow ochre, and a touch of red.
Develop the details of the clothing, using subtle variations in value and color to create form and texture.
Add the highlights and shadows to the face and hands, refining the features and creating a sense of depth.
Paint the mirror and other details, paying attention to their reflective qualities.
Glaze the entire painting with a thin layer of medium to unify the colors and add a sense of atmosphere.
color palette
primary · burnt umber · ivory black · yellow ochre · titanium white
secondary · cadmium red light · raw sienna
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Clothing colors are created by mixing burnt umber with white and small amounts of red or yellow ochre.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.
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