apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Venetian Lagoon near the Church of Santa Maria Della Salute
Venetian Lagoon near the Church of Santa Maria Della Salute by Martín Rico y Ortega

plate no. 9232

Venetian Lagoon near the Church of Santa Maria Della Salute

Martín Rico y Ortega

oilImpressionismcityscapewaterbuildingsboatsskytreesfigures
some experience helpful

Recreating this painting will help students develop skills in rendering reflections in water and capturing atmospheric perspective. It also provides practice in depicting architectural details with simplified brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the church, the bridge, and the water line.

  2. step 02

    Establish the basic color blocks for the sky, water, and buildings.

  3. step 03

    Begin adding details to the church, focusing on the domes and architectural features.

  4. step 04

    Paint the trees and foliage, using varied greens and textured brushstrokes.

  5. step 05

    Add the boats and figures, paying attention to their placement and proportions.

  6. step 06

    Develop the reflections in the water, using vertical strokes and slightly desaturated colors.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust values to achieve a harmonious composition.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · viridian

Mix various shades of gray for the buildings by combining ultramarine blue, raw umber, and white. Achieve the water's color by mixing ultramarine blue, raw umber, and a touch of viridian. Use burnt sienna and cadmium red for the orange umbrella.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details in the architecture.
  • →Making the reflections too symmetrical.
  • →Using colors that are too saturated.
  • →Incorrect proportions of the boats and figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann