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home·artworks·Venetian girls in church
Venetian girls in church by Wilhelm Marstrand

plate no. 0315

Venetian girls in church

Wilhelm Marstrand, 1854

oil, canvasRomanticismportraitfiguresportraitclothingarchitecturetablejewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict fabric and textures with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and colors of the background, table, and clothing with thin washes.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Refine the details of the faces, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Develop the textures and folds of the clothing, using subtle color variations and soft blending.

  6. step 06

    Add details to the architectural elements, such as the columns and moldings.

  7. step 07

    Paint the jewelry and other small details, using fine brushes and precise strokes.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · ivory black · burnt umber · cadmium red light · titanium white

secondary · ultramarine blue · yellow ochre · raw sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. The blue dress is a mix of black, white, and ultramarine blue. Use glazes of burnt umber and raw sienna for the shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Overblending skin tones, resulting in a flat or lifeless appearance.
  • →Incorrect proportions of the figures.
  • →Ignoring the subtle color variations in the clothing.
  • →Failing to create a sense of depth and atmosphere.
  • →Getting the likeness of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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