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home·artworks·Veneţia spre Campanile di San Marco
Veneţia spre Campanile di San Marco by Jean Alexandru Steriadi

plate no. 5582

Veneţia spre Campanile di San Marco

Jean Alexandru Steriadi, 1914

oilImpressionismcityscapewaterbuildingsskyboatscityscapetower
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice loose, expressive brushwork to capture the impressionistic style. It also encourages simplification of complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, tower, and boats using light pencil lines, paying attention to proportions and placement.

  2. step 02

    Block in the large areas of color for the sky, water, and buildings using thin washes of paint.

  3. step 03

    Begin layering colors to build depth and dimension, focusing on capturing the subtle variations in light and shadow.

  4. step 04

    Use short, broken brushstrokes to create texture and movement in the water and sky.

  5. step 05

    Add details to the buildings and boats, such as windows, doors, and masts, using a smaller brush.

  6. step 06

    Refine the colors and values, adjusting the overall balance of the painting.

  7. step 07

    Add final highlights and shadows to create a sense of atmosphere and depth.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or brushwork.

color palette

primary · cerulean blue · titanium white · yellow ochre · cadmium orange

secondary · alizarin crimson · viridian green · raw umber

Mix white with blue and a touch of crimson for the sky. Use yellow ochre and orange for the buildings, adding crimson for warmer tones and umber for shadows. Mix blue and green for the water, adding white and pink for highlights.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors straight from the tube without mixing them.
  • →Neglecting the importance of value contrast.
  • →Focusing too much on detail and not enough on the overall impression.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium orange oil paint
  • ·round brushes size 2, 4, and 6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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