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home·artworks·Veneţia
Veneţia by Samuel Mutzner

plate no. 8368

Veneţia

Samuel Mutzner, 1928

oilImpressionismcityscapecityscapewaterbuildingsskyfiguresarchitecture
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create atmospheric perspective. It also provides practice in simplifying complex architectural forms into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the tower, buildings, columns, and steps, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with broad strokes of blue, pink, and white, blending them loosely.

  3. step 03

    Establish the basic colors and values of the buildings, using a mix of blues, grays, and oranges.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky and buildings.

  5. step 05

    Add the figures in the foreground and middle ground, simplifying their forms into dark silhouettes.

  6. step 06

    Develop the details of the columns and steps, paying attention to the light and shadow.

  7. step 07

    Refine the brushwork and color variations in the sky and buildings.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt sienna

secondary · cadmium red · raw umber · sap green

Mix blues and whites with touches of red and yellow to create the sky. Use yellow ochre and burnt sienna for the buildings, adding blue and umber to create shadows. Mix greens and blues for the water.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated and not capturing the subtle atmospheric effects.
  • →Failing to establish a clear value structure.
  • →Making the brushstrokes too uniform and not varying the direction and pressure.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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