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home·artworks·Valentino Valle with daughter
Valentino Valle with daughter by Giuseppe Tominz

plate no. 6990

Valentino Valle with daughter

Giuseppe Tominz, 1828

oil, canvasRomanticismportraitportraitfiguresclothingsheet musicbooktable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering realistic fabrics and textures. It also provides practice in creating subtle gradations of tone to model forms.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch, paying close attention to the proportions and placement of the figures and objects.

  2. step 02

    Block in the main shapes and colors of the background, clothing, and skin tones using thin washes of paint.

  3. step 03

    Begin to refine the facial features, focusing on capturing the likeness and expression of each figure.

  4. step 04

    Develop the details of the clothing, including the folds, textures, and embellishments.

  5. step 05

    Add details to the sheet music and book, paying attention to the perspective and lighting.

  6. step 06

    Refine the overall composition, adjusting the values and colors as needed to create a sense of depth and realism.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and burnt sienna to create a neutral gray for shadows. Mix white with a touch of yellow ochre for the white fabrics.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·modeling
  • ·rendering fabrics

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and realism.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, raw umber, titanium white, cadmium red light, yellow ochre, ultramarine blue, burnt sienna)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Soft cloths

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before beginning to paint.

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