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home·artworks·Valencian landscape
Valencian landscape by Alejandro Cabeza

plate no. 1875

Valencian landscape

Alejandro Cabeza, 2003

oilImpressionismlandscapetreesbuildinglandscapevegetationshadowspath
suitable for beginners

Recreating this painting helps students practice simplifying complex scenes into basic shapes and using color temperature to create depth. It also provides practice in capturing the essence of light and shadow in a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the building, the post, and the general areas of foliage.

  2. step 02

    Block in the large areas of color: the yellow-toned ground, the green foliage, and the light gray building.

  3. step 03

    Begin to refine the shapes of the foliage, using short, broken brushstrokes to suggest leaves and branches.

  4. step 04

    Add darker greens and browns to the foliage to create shadows and depth.

  5. step 05

    Develop the form of the building with subtle variations in light and shadow.

  6. step 06

    Paint the post, paying attention to the way the light hits it.

  7. step 07

    Add small details, such as the highlights on the foliage and the texture of the ground.

  8. step 08

    Review and adjust the overall composition, making sure the values and colors are balanced.

color palette

primary · yellow ochre · sap green · titanium white

secondary · burnt umber · raw sienna · cerulean blue

Mix greens by combining sap green with yellow ochre or burnt umber. Achieve the building's color by mixing white with a touch of burnt umber and yellow ochre. Use cerulean blue to cool down the greens and create atmospheric perspective.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color mixing
  • ·value study

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using too much detail in the foliage, making it look dense and unnatural.
  • →Failing to capture the subtle variations in light and shadow.
  • →Not simplifying the scene enough, resulting in a cluttered composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, sap green, titanium white, burnt umber, raw sienna, cerulean blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow the paint to grab easily. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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