apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ust Krestishche. Spring. Flood
Ust Krestishche. Spring. Flood by Eugene Lanceray

plate no. 3264

Ust Krestishche. Spring. Flood

Eugene Lanceray, 1917

oilArt Nouveau (Modern)landscapetreeswaterreflectionlandscapefiguresky
some experience helpful

Recreating this painting will help students develop skills in rendering reflections and creating depth using a limited color palette. It also provides practice in painting detailed tree branches and subtle water textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the horizon line, tree placement, and the figure.

  2. step 02

    Establish the background sky and distant land with thin washes of color.

  3. step 03

    Paint the tree trunks and branches, focusing on varying the line weight and direction to create a natural look.

  4. step 04

    Add the reflections of the trees in the water, ensuring they are vertically aligned and slightly distorted.

  5. step 05

    Introduce subtle color variations in the water to suggest depth and movement.

  6. step 06

    Paint the small figure in the distance with a pop of color for focal point.

  7. step 07

    Add details like reeds and small plants along the water's edge.

  8. step 08

    Refine the overall painting by adjusting values and adding subtle highlights.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · cadmium red light

Achieve the muted tones by mixing raw umber and white. Add small amounts of blue or red to create subtle variations in the water and sky.

techniques

  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·rendering reflections

common pitfalls

  • →Making the tree reflections too perfect and symmetrical.
  • →Overworking the details in the water, resulting in a muddy appearance.
  • →Not varying the line weight of the tree branches, making them look flat.
  • →Ignoring the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a toned canvas for a head start on the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois