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home·artworks·Upon Sunny Waves
Upon Sunny Waves by Hans Dahl

plate no. 0861

Upon Sunny Waves

Hans Dahl

oil, canvasRomanticismlandscapewaterboatsmountainsskyfigureswaves
some experience helpful

Recreating this painting will help students develop skills in depicting water movement and atmospheric perspective. It also offers practice in rendering figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: mountains, boats, and horizon line.

  2. step 02

    Establish the sky and distant mountains with soft, blended tones, focusing on atmospheric perspective.

  3. step 03

    Block in the large areas of the water with broad strokes, capturing the general color and value.

  4. step 04

    Start defining the waves, using highlights and shadows to create form and movement.

  5. step 05

    Paint the boats, paying attention to their shapes and reflections in the water.

  6. step 06

    Add details to the figures in the main boat, focusing on accurate proportions and clothing.

  7. step 07

    Refine the details of the foreground waves, adding texture and highlights.

  8. step 08

    Add final touches, such as birds in the sky and subtle color variations in the water.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt umber

secondary · cadmium red · sap green · raw sienna

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Create wave highlights by mixing white with yellow ochre and a touch of blue. Use burnt umber and white for the boats, and mix greens with blue and yellow for the distant land.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the water, resulting in a flat, lifeless surface.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Making the wave highlights too uniform and artificial.
  • →Ignoring the subtle color variations in the water and sky.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, titanium white, burnt umber, cadmium red, sap green)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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