apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·UP TILL SPRING DAY
UP TILL SPRING DAY by JAROSLAV KELUC

plate no. 4728

UP TILL SPRING DAY

JAROSLAV KELUC, 1974

oilImpressionismlandscapetreeslandscapeskyfieldhousemountains
suitable for beginners

Recreating this painting will help students develop skills in layering colors with oil pastels and creating texture through visible strokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 4 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the trees, house, and mountains.

  2. step 02

    Block in the sky with light blue oil pastel, using horizontal strokes.

  3. step 03

    Apply a base layer of yellow and green to the field, varying the pressure for different tones.

  4. step 04

    Add darker greens and browns to the foreground to create depth and texture.

  5. step 05

    Use brown and black pastels to define the tree trunks and branches, adding highlights with white or yellow.

  6. step 06

    Block in the house with light colors, then add details like the roof and windows with darker shades.

  7. step 07

    Layer blues and purples to create the distant mountains.

  8. step 08

    Refine details and add highlights to complete the painting.

color palette

primary · green · yellow · blue · brown

secondary · orange · purple · white · black

Mix greens with yellow and blue for variations. Use white to lighten colors and black to darken them. Layer colors to create depth and texture.

techniques

  • ·layering
  • ·hatching
  • ·scumbling
  • ·color blending
  • ·Impasto

common pitfalls

  • →Overworking the pastel and creating a muddy effect.
  • →Not varying the pressure and creating a flat, uniform look.
  • →Ignoring the basic shapes and proportions of the objects.
  • →Using too much black and creating a dark, gloomy atmosphere.

materials

surface · pastel paper

required

  • ·Oil pastels (assorted colors)
  • ·Paper (thick drawing paper or pastel paper)
  • ·Kneaded eraser
  • ·Blending stump or tortillon
  • ·Fixative spray
  • ·Pencil
  • ·Ruler

optional

  • ·Palette knife
  • ·Easel
  • ·Workable fixative

Use artist-grade oil pastels for richer colors and better blending. Fixative spray will prevent smudging.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann