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home·artworks·Untitled from 'Les Enfants'
Untitled from 'Les Enfants' by Tsuguharu Foujita

plate no. 7571

Untitled from 'Les Enfants'

Tsuguharu Foujita, 1929

oilMagic Realismportraitportraitfigurechildhooddark backgroundeyes
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle tonal variations and creating a focal point through contrast. It also provides practice in rendering fabric and creating a sense of depth with a limited palette.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, hood, and facial features.

  2. step 02

    Block in the dark background with a diluted black or dark gray.

  3. step 03

    Apply a thin layer of white or light gray to the hood and face, establishing the basic values.

  4. step 04

    Gradually build up the highlights and shadows on the face and hood, paying attention to the subtle transitions.

  5. step 05

    Add details to the eyes, nose, and mouth, using darker tones to define the features.

  6. step 06

    Paint the hair with light brown and blonde tones, adding subtle highlights.

  7. step 07

    Create the starry effect in the background by dabbing white paint with a small brush or sponge.

  8. step 08

    Refine the edges and details, ensuring a smooth transition between the figure and the background.

color palette

primary · titanium white · ivory black · raw umber

secondary · yellow ochre · burnt umber

Mix various shades of gray by combining white and black. Use raw umber and yellow ochre to create the hair color. Add small amounts of burnt umber to darken the shadows.

techniques

  • ·tonal blending
  • ·glazing
  • ·dry brushing
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines instead of smooth transitions.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·burnt umber oil paint

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

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oil painting for beginners →how to learn by studying the masters →
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