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Untitled by Ferdynand Ruszczyc

plate no. 7780

Untitled

Ferdynand Ruszczyc, 1899

oilImpressionismlandscapesnowruinslandscapeskywinter
some experience helpful

Recreating this painting will help students understand how to paint snow with subtle color variations and how to create depth using value and atmospheric perspective. It also provides practice in depicting architectural forms with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the ruins and the snow drifts, paying attention to the overall composition.

  2. step 02

    Establish the sky with a base layer of muted grays and blues, blending softly.

  3. step 03

    Block in the dark masses of the ruins with dark browns and blacks, leaving some areas for highlights.

  4. step 04

    Apply the base color for the snow, a mix of white with hints of yellow, blue, and pink.

  5. step 05

    Add shadows to the snow using cool grays and blues, defining the forms and creating depth.

  6. step 06

    Introduce warmer tones to the snow where it catches the light, using yellows and oranges.

  7. step 07

    Refine the details of the ruins, adding texture and highlights with dry brush techniques.

  8. step 08

    Add final touches to the sky and snow, adjusting values and colors as needed.

color palette

primary · titanium white · raw umber · ivory black · yellow ochre

secondary · ultramarine blue · burnt sienna

Mix white with small amounts of yellow ochre, ultramarine blue, and burnt sienna to create the subtle variations in the snow. Use raw umber and ivory black for the ruins, lightening with white for highlights.

techniques

  • ·dry brush
  • ·scumbling
  • ·value study
  • ·atmospheric perspective
  • ·color temperature

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle color variations in the snow.
  • →Making the shadows too dark and harsh.
  • →Losing the overall sense of light and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a toned canvas (e.g., light gray or ochre) to help establish the overall value range.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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