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Untitled by Carel Willink

plate no. 0747

Untitled

Carel Willink

oilMagic Realismsymbolic paintingbuildingrobotfigureskycloudsrubble
experienced study

Recreating this painting will help students develop skills in rendering complex architectural forms, creating atmospheric perspective, and understanding color temperature to create depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective of the buildings and the relative sizes of the robot and figure.

  2. step 02

    Block in the main shapes and values of the sky, buildings, robot, and rubble using thin washes of color.

  3. step 03

    Develop the details of the buildings, focusing on the architectural elements and the play of light and shadow.

  4. step 04

    Refine the robot's form, adding details and highlights to create a sense of depth and volume.

  5. step 05

    Paint the rubble pile, varying the size, shape, and color of the individual stones.

  6. step 06

    Add the figure, paying attention to accurate proportions and subtle shading.

  7. step 07

    Refine the sky and clouds, adding details and highlights to create a sense of atmosphere.

  8. step 08

    Add final details and highlights to the entire painting, ensuring that all elements work together harmoniously.

color palette

primary · gray · red · blue · brown

secondary · white · ochre · purple

Mix various shades of gray by combining white, black, and a touch of blue or brown. Achieve the red hues by mixing a base red with browns and blacks for darker shades, and white for lighter tones.

techniques

  • ·atmospheric perspective
  • ·architectural rendering
  • ·glazing
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Incorrect perspective on the buildings can ruin the illusion of depth.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Inconsistent lighting can create a disjointed effect.
  • →Ignoring the subtle color variations in the sky and rubble can make the painting look flat.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: titanium white, ivory black, ultramarine blue, burnt umber, cadmium red
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium: Liquin

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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