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home·artworks·Unter den Linden nach dem Regen
Unter den Linden nach dem Regen by Lesser Ury

plate no. 0139

Unter den Linden nach dem Regen

Lesser Ury, 1888

oilImpressionismcityscapecityscapestreetfiguresbuildingsraincarriages
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and rendering reflections on wet surfaces. It also provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the perspective lines of the street and buildings.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main shapes of the buildings, figures, and carriages, using simplified forms and values.

  4. step 04

    Begin layering colors, starting with the darker tones and gradually adding highlights.

  5. step 05

    Focus on capturing the reflections in the wet street, using vertical brushstrokes and subtle color variations.

  6. step 06

    Add details to the figures and carriages, but avoid overworking them.

  7. step 07

    Refine the sky and atmospheric effects, blending colors and values to create a sense of depth.

  8. step 08

    Add final highlights and details to enhance the sense of light and atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the muted tones by mixing earth colors with white and small amounts of blue or black. Use glazes of thinned colors to create depth and luminosity.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to capture the correct values and creating a flat, lifeless painting.
  • →Ignoring the atmospheric perspective and creating a shallow sense of depth.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for broken color effects. Consider using a toned canvas to establish the initial value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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