apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Unter den Linden
Unter den Linden by Max Slevogt

plate no. 6915

Unter den Linden

Max Slevogt, 1913

oilImpressionismcityscapecityscapetreesbuildingsflagscrowdstreet
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and using broken color to represent complex textures like foliage and crowds. It also provides practice in simplifying complex scenes into impressionistic brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of buildings, trees, and the large vertical elements.

  2. step 02

    Establish the sky with a thin layer of light blue, allowing some canvas to show through.

  3. step 03

    Block in the main shapes of the buildings and trees using broad strokes of color.

  4. step 04

    Begin layering colors within the trees, using greens, yellows, and browns to create depth and texture.

  5. step 05

    Add details to the buildings, including the flags and architectural elements.

  6. step 06

    Paint the crowd using small, individual brushstrokes of various colors to suggest movement and activity.

  7. step 07

    Refine the foreground elements, such as the signage and decorations.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of light and atmosphere.

color palette

primary · light blue · green · white · red

secondary · yellow · brown · gray · black

Mix greens by blending blues and yellows. Achieve the sky color by diluting blue with white. Use browns and grays to create shadows and depth in the buildings and trees.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating mud by over-mixing colors on the canvas.
  • →Failing to establish a clear sense of depth and perspective.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish
  • ·photo reference

Use a medium-grain canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann