apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·[Unkown]
[Unkown] by Hans Dahl

plate no. 0912

[Unkown]

Hans Dahl

oil, canvasRomanticismlandscapewatermountainsboatfiguresskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering dynamic water with highlights and shadows. It also provides practice in painting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boat, figures, and mountains.

  2. step 02

    Establish the horizon line and the overall perspective.

  3. step 03

    Block in the large areas of color for the sky, water, and mountains using thin washes.

  4. step 04

    Gradually build up the colors in the mountains, paying attention to the atmospheric perspective (lighter and cooler in the distance).

  5. step 05

    Paint the boat and figures, focusing on their shapes and the light hitting them.

  6. step 06

    Add details to the water, using short brushstrokes to create the impression of waves and ripples.

  7. step 07

    Refine the details in the figures' clothing and facial features.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · viridian green · raw sienna

Mix blues and whites with small amounts of umber to create the hazy sky and distant mountains. Use varying amounts of white to achieve the different shades of the water. Mix red and yellow ochre for skin tones.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·rendering water

common pitfalls

  • →overworking the details in the background
  • →making the colors too saturated
  • →not establishing a clear light source
  • →flattening the water by not varying the brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke