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home·artworks·Unknown man, formerly known as James Northcote
Unknown man, formerly known as James Northcote by David Wilkie

plate no. 1353

Unknown man, formerly known as James Northcote

David Wilkie

oilRomanticismportraitportraitmanfaceclothingcollarhair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle value shifts in skin tones. It also provides practice in creating depth and atmosphere through the use of a limited palette and chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark umber wash.

  2. step 02

    Lightly sketch the basic shapes and proportions of the head and shoulders.

  3. step 03

    Block in the darkest areas of the background and clothing using a dark brown mixture.

  4. step 04

    Establish the main highlights and shadows on the face using a limited palette of earth tones and white.

  5. step 05

    Refine the facial features, paying close attention to the subtle variations in skin tone.

  6. step 06

    Add details to the collar and clothing, using small brushstrokes to create texture.

  7. step 07

    Soften edges and blend transitions to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to the eyes and hair.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson

Achieve skin tones by mixing white with small amounts of yellow ochre, raw umber, and burnt sienna. Use ivory black and raw umber for the dark background and clothing, adding small amounts of burnt sienna for warmth.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

A pre-toned canvas will help to establish the dark background more easily. Use high-quality oil paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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