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Unknown by Christian Schad

plate no. 1510

Unknown

Christian Schad, 1920

oilMagic Realismportraitportraitfigureshawlfanindoorwoman
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in depicting fabric and creating a sense of depth through subtle shading.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and placement of the fan.

  2. step 02

    Block in the main areas of color: skin, hair, shawl, dress, background, and fan.

  3. step 03

    Begin refining the skin tones, paying attention to subtle variations in color and value to create a realistic effect.

  4. step 04

    Develop the details of the face, including the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  5. step 05

    Work on the shawl, rendering the folds and shadows to create a sense of volume and texture.

  6. step 06

    Paint the dress, using dark values to create contrast with the shawl and skin.

  7. step 07

    Add details to the fan, paying attention to the shape and spacing of the ribs.

  8. step 08

    Refine the background, adding subtle variations in color and value to create depth.

color palette

primary · titanium white · ivory black · cadmium red light · yellow ochre

secondary · burnt umber · raw sienna

Mix skin tones using white, yellow ochre, and a touch of red. Use burnt umber and black to create shadows. Vary the red with touches of yellow ochre to create the shawl's color variations.

techniques

  • ·portraiture
  • ·blending
  • ·color mixing
  • ·shading
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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oil painting for beginners →how to learn by studying the masters →
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