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Undine by John William Waterhouse

plate no. 0796

Undine

John William Waterhouse, 1872

oil, canvasRomanticismmythological paintingfigurewaterfountaindresslandscapebuilding
some experience helpful

Recreating this painting will help students develop skills in rendering soft light and shadow, as well as creating a sense of depth through atmospheric perspective. It also offers practice in painting the human figure and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, fountain, and background elements.

  2. step 02

    Establish the overall color scheme with a thin wash of earth tones.

  3. step 03

    Block in the main areas of light and shadow on the figure and dress.

  4. step 04

    Begin to refine the details of the face and hair, paying attention to the subtle gradations of tone.

  5. step 05

    Develop the background elements, such as the trees and buildings, using soft, blended brushstrokes.

  6. step 06

    Add the details of the fountain, using thin, broken brushstrokes to suggest the movement of water.

  7. step 07

    Refine the details of the dress, adding highlights and shadows to create a sense of volume.

  8. step 08

    Add final details and glazes to unify the painting and enhance the overall atmosphere.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · ultramarine blue · alizarin crimson

Achieve the skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and burnt umber to create the darker tones in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating harsh lines and edges, rather than soft transitions.
  • →Failing to establish a clear focal point.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the transparency of the colors.

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