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home·artworks·Under the Trees
Under the Trees by Thomas Moran

plate no. 6176

Under the Trees

Thomas Moran, 1865

oilRomanticismlandscapetreesforestlandscapewatermountainsfigure
experienced study

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, and in rendering complex foliage with varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, water, and mountains.

  2. step 02

    Establish the overall color scheme with a thin wash of warm undertones.

  3. step 03

    Begin layering in the darker values of the trees and foliage, working from back to front.

  4. step 04

    Add the mid-tones and highlights to create form and dimension in the trees and rocks.

  5. step 05

    Paint the distant mountains and water, using soft, blended colors to create atmospheric perspective.

  6. step 06

    Develop the details of the foreground foliage, using a variety of brushstrokes to create texture.

  7. step 07

    Add the figure in the foreground, paying attention to its placement and scale.

  8. step 08

    Refine the details and adjust the values to create a cohesive and harmonious painting.

color palette

primary · burnt sienna · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · viridian green · raw umber

Achieve the warm autumn colors by mixing burnt sienna, yellow ochre, and cadmium red. Create the atmospheric perspective by adding white and blue to the colors of the distant mountains and water.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too saturated and not blending them sufficiently.
  • →Failing to create a strong sense of depth and perspective.
  • →Ignoring the subtle variations in color and value within the foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use high-quality oil paints for best results. A medium-sized canvas (18x24 or 24x30) is recommended.

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