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home·artworks·Under the Cross
Under the Cross by Laszlo Mednyanszky

plate no. 0747

Under the Cross

Laszlo Mednyanszky, 1892

oilImpressionismlandscapetreeslandscapeskyfoliagecrossautumn
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as using expressive brushstrokes to convey mood and atmosphere. It's a good exercise in simplifying complex scenes into basic shapes and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Block in the sky with a light blue-gray wash, blending it with hints of orange and pink near the horizon.

  3. step 03

    Establish the dark foreground with a mix of browns and blacks, using horizontal brushstrokes.

  4. step 04

    Paint the tree trunks, varying the colors from dark brown to light gray and white to create the birch bark effect.

  5. step 05

    Add the foliage using short, broken brushstrokes of yellow, orange, and brown.

  6. step 06

    Define the cross shape with dark brown and black, adding subtle highlights.

  7. step 07

    Refine the details of the trees and foliage, paying attention to the direction of light.

  8. step 08

    Add final touches and highlights to create a sense of depth and atmosphere.

color palette

primary · burnt umber · titanium white · cerulean blue

secondary · yellow ochre · cadmium orange · raw sienna

Achieve the sky colors by mixing white with small amounts of blue, orange, and pink. The foliage colors are created by mixing yellow ochre, burnt umber, and cadmium orange in varying proportions. Darken colors with burnt umber and lighten with titanium white.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·broken color
  • ·wet-on-dry

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and not capturing the muted tones of the scene.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits or brush cleaner

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·apron

A slightly textured canvas will help to create the impressionistic effect. Use a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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