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home·artworks·Under a Southern Sun (Timber Splitter's Camp)
Under a Southern Sun (Timber Splitter's Camp) by Charles Conder

plate no. 5480

Under a Southern Sun (Timber Splitter's Camp)

Charles Conder, 1890

oilImpressionismgenre paintinglandscapetreefiguretentfieldsky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex scenes into basic shapes and values. Students will also gain experience with impressionistic brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, figures, and tent.

  2. step 02

    Block in the sky with a light blue, varying the tone slightly.

  3. step 03

    Establish the main areas of the landscape with broad strokes of yellow, brown, and green.

  4. step 04

    Add the tree trunk and branches, using a mix of brown and white to create highlights and shadows.

  5. step 05

    Paint the figures and tent, simplifying their forms and using muted colors.

  6. step 06

    Develop the foreground with textured brushstrokes, adding details like logs and twigs.

  7. step 07

    Refine the details and adjust the values to create a sense of depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · raw sienna · cadmium yellow · alizarin crimson

Mix blues and white for the sky, yellows and browns for the landscape, and add touches of red for warmth. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors that are too saturated and creating a harsh effect.
  • →Failing to establish a clear focal point.
  • →Not varying the brushstrokes enough to create texture and interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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