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home·artworks·Un bistrot à Saint-Germain-des-Prés
Un bistrot à Saint-Germain-des-Prés by Tsuguharu Foujita

plate no. 7326

Un bistrot à Saint-Germain-des-Prés

Tsuguharu Foujita

oilMagic Realismgenre paintingfigurescafeinteriorbottlesbarcityscape
experienced study

This painting will help students develop skills in figure drawing, composition with multiple subjects, and creating depth through atmospheric perspective. Students will also learn to mix a range of neutral tones and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and colors of the background, including the shelves of bottles and the cityscape outside.

  3. step 03

    Focus on the figures, sketching their poses and proportions before adding details.

  4. step 04

    Mix a range of neutral tones and subtle color variations for the skin tones and clothing.

  5. step 05

    Gradually build up the details of the faces, hands, and other features.

  6. step 06

    Add the details of the bar area, including the bottles, glasses, and other objects.

  7. step 07

    Refine the lighting and shadows to create depth and dimension.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing complementary colors and adding white. Use thin glazes to build up depth and subtle color variations.

techniques

  • ·underpainting
  • ·glazing
  • ·figure drawing
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of composition.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the overall color palette.

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oil painting for beginners →how to learn by studying the masters →
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