apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ulwar, India
Ulwar, India by Marianne North

plate no. 3383

Ulwar, India

Marianne North, 1878

oilImpressionismlandscapearchitecturewatermountainbuildingsskyswans
some experience helpful

This painting offers practice in rendering architectural detail with soft edges and capturing reflections in water. Students will also learn to create atmospheric perspective by layering colors and values.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, buildings, and water line.

  2. step 02

    Block in the sky with a light blue wash, allowing for subtle variations in tone.

  3. step 03

    Establish the basic shapes and values of the mountain, using a mix of pinks, purples, and browns.

  4. step 04

    Paint the architectural structures, paying attention to the details of the arches, domes, and windows.

  5. step 05

    Create the water surface with horizontal brushstrokes, reflecting the colors of the sky and buildings.

  6. step 06

    Add the swans and other figures, using small brushstrokes to suggest their forms.

  7. step 07

    Refine the details and adjust the values to create depth and atmosphere.

color palette

primary · titanium white · ultramarine blue · burnt sienna · alizarin crimson

secondary · yellow ochre · viridian green

Mix various shades of pink and purple for the mountain and buildings by combining white, crimson, and a touch of blue. Use yellow ochre and burnt sienna to create warm tones for the architecture. Mix blue and green for the water, adjusting the proportions to achieve the desired hue.

techniques

  • ·atmospheric perspective
  • ·reflected light
  • ·soft blending
  • ·layering
  • ·broken color

common pitfalls

  • →Overworking the details of the architecture, resulting in a stiff and unnatural appearance.
  • →Failing to capture the subtle variations in color and value, leading to a flat and lifeless painting.
  • →Ignoring the reflections in the water, which are essential for creating depth and realism.
  • →Using too much detail in the background, which can distract from the focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann