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home·artworks·Tynemouth Priory from the Sea
Tynemouth Priory from the Sea by Thomas Girtin

plate no. 0486

Tynemouth Priory from the Sea

Thomas Girtin, 1797

oilRomanticismmarinaseacloudsbuildingscoastlineboatssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a stormy seascape. It also provides practice in rendering simplified architectural forms and creating depth through tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the basic composition: horizon line, coastline, and major shapes of the buildings and clouds.

  2. step 02

    Establish the darkest values in the sky and the foreground waves using a dark gray or blue-gray mix.

  3. step 03

    Block in the mid-tones of the coastline and the lighter areas of the sky, paying attention to the atmospheric perspective.

  4. step 04

    Add details to the buildings, using a small brush and a lighter color to suggest highlights.

  5. step 05

    Define the waves in the foreground with short, broken brushstrokes, varying the values to create depth.

  6. step 06

    Add subtle color variations to the sky and sea to enhance the mood.

  7. step 07

    Refine the details and adjust the values as needed to create a cohesive and atmospheric painting.

color palette

primary · payne's gray · burnt umber · titanium white

secondary · yellow ochre · ultramarine blue

Mix Payne's Gray and Burnt Umber for dark tones. Use white to create lighter values and Yellow Ochre to warm the coastline.

techniques

  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast and making the painting look harsh.
  • →Failing to establish a clear focal point.
  • →Not paying attention to the values and creating a flat, uninteresting painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·payne's gray oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall mood.

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oil painting for beginners →how to learn by studying the masters →
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