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home·artworks·Two Sisters (On the Terrace)
Two Sisters (On the Terrace) by Pierre-Auguste Renoir

plate no. 4039

Two Sisters (On the Terrace)

Pierre-Auguste Renoir, 1881

oilImpressionismportraitportraitfiguresclothingflowersgardenterrace
experienced study

Students will develop skills in portraiture, flesh tone mixing, and creating atmospheric backgrounds with loose brushwork. This painting teaches the balance between detailed foreground figures and impressionistic background treatment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Start with a light pencil sketch establishing the two figures and basic composition

  2. step 02

    Block in the major color areas with thin paint, establishing the dark coat and light dress

  3. step 03

    Paint the background garden scene with loose, broken brushstrokes using warm and cool greens

  4. step 04

    Develop the flesh tones of both faces, paying attention to subtle color variations

  5. step 05

    Add the vibrant orange-red hat with confident brushstrokes

  6. step 06

    Paint the clothing details, especially the texture of the dark coat and white dress

  7. step 07

    Add the flowers and decorative elements with small, precise touches

  8. step 08

    Refine facial features and expressions with careful attention to eyes and lips

color palette

primary · cadmium red · ultramarine blue · yellow ochre · titanium white

secondary · viridian green · burnt sienna · raw umber · cadmium orange

Mix flesh tones with white, yellow ochre, and tiny amounts of red and burnt sienna. Create rich darks by mixing ultramarine with burnt sienna rather than using pure black.

techniques

  • ·broken color technique
  • ·alla prima painting
  • ·flesh tone mixing
  • ·atmospheric perspective
  • ·impressionistic brushwork

common pitfalls

  • →overworking the facial features
  • →making the background too detailed
  • →using pure black for shadows
  • →losing the fresh, spontaneous brushwork quality

materials

surface · primed stretched canvas or canvas board 18x24 inches

required

  • ·oil paints in full color range
  • ·#4 and #6 flat brushes
  • ·#2 and #4 round brushes
  • ·stretched canvas 18x24
  • ·palette knife
  • ·turpentine
  • ·linseed oil
  • ·palette paper

optional

  • ·fan brush for foliage texture
  • ·painting medium for smoother blending
  • ·#1 liner brush for fine details
  • ·mahlstick for steady hand work

Use good quality brushes as the painting requires both precise detail work and loose, expressive strokes

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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