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home·artworks·Two’s Company, Three’s None
Two’s Company, Three’s None by Marcus Stone

plate no. 0164

Two’s Company, Three’s None

Marcus Stone, 1892

oilRomanticismgenre paintingfiguresgardentreesarchitecturefoliagebasket
experienced study

Recreating this painting will help students develop skills in rendering figures with accurate proportions and capturing subtle variations in light and shadow within a complex outdoor setting. It also provides practice in creating depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement of the figures and major elements.

  2. step 02

    Establish the background with broad washes of color, creating a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figures, paying attention to their proportions and poses.

  4. step 04

    Start refining the details of the figures, including their clothing, facial features, and hands.

  5. step 05

    Add details to the surrounding environment, such as the trees, flowers, and architectural elements.

  6. step 06

    Pay attention to the light and shadow, using it to create form and depth.

  7. step 07

    Refine the colors and values, ensuring that they are harmonious and create a sense of unity.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red

secondary · yellow ochre · viridian · alizarin crimson

Achieve the skin tones by mixing titanium white, cadmium red, and a touch of burnt umber. Use viridian and yellow ochre to create the greens of the foliage, adjusting the proportions to achieve different shades.

techniques

  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Using colors that are too saturated or unnatural.
  • →Losing the overall sense of unity and harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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