apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Two nuns
Two nuns by Saverio della Gatta

plate no. 7482

Two nuns

Saverio della Gatta, 1799

watercolor, gouache, paperRomanticismgenre paintingnunsfigureslandscapeskyclothingbasket
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly drapery and rendering subtle tonal variations. It also provides practice in creating a soft, atmospheric landscape background.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and landscape elements, paying attention to proportions and placement.

  2. step 02

    Apply a thin wash of light blue for the sky, blending it softly to create clouds.

  3. step 03

    Block in the basic shapes of the figures with diluted washes of gray and white.

  4. step 04

    Build up the darker tones in the nuns' habits, using multiple layers of diluted paint.

  5. step 05

    Add details to the faces, hands, and clothing, focusing on subtle shading and highlights.

  6. step 06

    Paint the landscape elements, such as the ground, rocks, and foliage, with soft, blended washes.

  7. step 07

    Add final details, such as the basket and the small flowers.

  8. step 08

    Refine the edges and values to create a sense of depth and atmosphere.

color palette

primary · ivory black · titanium white · cerulean blue

secondary · raw umber · rose madder · yellow ochre

Mix black and white to create various shades of gray for the habits. Use diluted washes of blue and white for the sky. Mix raw umber with other colors to create earth tones.

techniques

  • ·glazing
  • ·dry brushing
  • ·blending
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Using too much paint, which can make the painting look heavy and muddy.
  • →Failing to establish a clear focal point.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·gouache paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling and allow for multiple layers of paint. Gouache can be used for adding opaque highlights and details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke