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Two Little Girls by Jessie Willcox Smith

plate no. 0061

Two Little Girls

Jessie Willcox Smith, 1924

oilRomanticismillustrationchildrenfiguresclothingbooksschoolportraits
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and rendering fabric textures. It also provides practice in creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and their clothing.

  2. step 02

    Establish the background color with a thin, even wash.

  3. step 03

    Block in the main color areas of the figures: red dress, checkered suit, hats.

  4. step 04

    Begin refining the skin tones, paying attention to subtle shifts in value and color.

  5. step 05

    Add details to the clothing, such as the black stripes on the dress and the checkered pattern on the suit.

  6. step 06

    Paint the books and other accessories, focusing on their shapes and textures.

  7. step 07

    Refine the facial features and add highlights to create a sense of form.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and balanced composition.

color palette

primary · red · black · brown · white

secondary · green · yellow ochre · burnt umber

Skin tones can be achieved by mixing white, yellow ochre, and a touch of red or burnt umber. The checkered pattern requires careful mixing of browns and yellows with white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to accurately capture the proportions of the figures.
  • →Making the checkered pattern too uniform and lacking in variation.
  • →Ignoring the subtle value shifts that create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, black, brown, white, yellow ochre, burnt umber, green)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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