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home·artworks·Two Divinities Dancing
Two Divinities Dancing by Tomioka Tessai

plate no. 5127

Two Divinities Dancing

Tomioka Tessai, 1924

oilNanga (Bunjinga)genre paintingmountainsfigurestreeswaterfallcloudslandscape
some experience helpful

Recreating this painting will help students develop skills in ink wash painting, particularly in creating textures for rocks and foliage using varied brushstrokes and dilutions. It also introduces the concept of atmospheric perspective using ink washes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, figures, and trees.

  2. step 02

    Begin with diluted washes of gray ink to establish the overall tonal values of the mountains and rocks.

  3. step 03

    Add darker ink washes to define the shadows and create depth in the rock formations.

  4. step 04

    Paint the trees using a combination of dry brush strokes for texture and wet-on-wet techniques for blending.

  5. step 05

    Add the figures, starting with light washes of color and gradually building up the details.

  6. step 06

    Paint the waterfall and clouds with diluted white ink, using varying brushstrokes to create movement and texture.

  7. step 07

    Add final details such as leaves, branches, and facial features.

  8. step 08

    Sign the painting with a traditional seal.

color palette

primary · black ink · white ink · red-orange

secondary · green · light blue · gray

Varying dilutions of black ink create all the grayscale tones. Mix red and a touch of yellow for the figure's clothing. Mix blue and yellow for the greens.

techniques

  • ·ink wash
  • ·dry brush
  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·calligraphic brushwork

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear focal point.
  • →Not varying the ink dilutions enough to create depth.

materials

surface · rice paper

required

  • ·Chinese painting brushes (various sizes)
  • ·black ink stick or bottled ink
  • ·white gouache or ink
  • ·watercolor paints (red, yellow, blue)
  • ·rice paper or watercolor paper
  • ·water container
  • ·palette for mixing colors

optional

  • ·felt mat
  • ·weights to hold paper
  • ·seal and ink pad

Use good quality rice paper that can withstand multiple washes. Experiment with different types of brushes to achieve various effects.

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oil painting for beginners →how to learn by studying the masters →
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