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Two brothers in a study by Alfred Dehodencq

plate no. 8763

Two brothers in a study

Alfred Dehodencq, 1853

oil, canvasRomanticismgenre paintingfiguresinteriorbookstableroomcat
some experience helpful

Recreating this painting will help students develop skills in rendering figures in an interior setting and understanding how to depict light and shadow to create depth and atmosphere. It also provides practice in capturing textures and details with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, table, and doorway.

  2. step 02

    Establish the main areas of light and shadow with thin washes of burnt umber and raw sienna.

  3. step 03

    Block in the local colors of the walls, curtains, and furniture, paying attention to the overall warm color scheme.

  4. step 04

    Begin to refine the figures, adding details to their clothing and facial features.

  5. step 05

    Develop the textures of the books, table cloth, and wallpaper with short, broken brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension, focusing on the areas around the window.

  7. step 07

    Refine the details of the cat and the books in the background.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · cadmium red · viridian · titanium white

Achieve the warm, muted tones by mixing burnt umber with raw sienna and small amounts of cadmium red. Use ivory black sparingly to create shadows and depth. Mix viridian with white to create the pale green of the curtain.

techniques

  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the overall sense of atmosphere and light.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·viridian oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas to allow for texture. Consider using a toned canvas to establish a warm undertone.

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