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home·artworks·Twilight, Vallée de la Cluse, near Boulogne
Twilight, Vallée de la Cluse, near Boulogne by Henry William Banks Davis

plate no. 5751

Twilight, Vallée de la Cluse, near Boulogne

Henry William Banks Davis, 1863

oilRomanticismlandscapelandscapesheepskytreeshillsfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering soft, diffused light. It also provides practice in painting detailed foliage and animal forms within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with broad strokes, establishing the gradient from light to dark.

  3. step 03

    Establish the base colors for the distant hills and fields, using muted tones.

  4. step 04

    Begin layering in the trees and foliage, paying attention to the shapes and values.

  5. step 05

    Add the sheep and shepherd, focusing on their basic forms and placement.

  6. step 06

    Refine the details of the foreground, including the grass, stream, and individual leaves.

  7. step 07

    Adjust the values and colors throughout the painting to create depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the realism of the scene.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Create the sky's gradient by gradually adding white to ultramarine blue and alizarin crimson. Use burnt umber and yellow ochre for the earth tones.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·soft blending

common pitfalls

  • →Overworking the details in the distant areas
  • →Creating overly saturated colors
  • →Failing to establish a clear value structure
  • →Making the sheep appear flat and lifeless

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas to simplify the initial stages.

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related guides

oil painting for beginners →how to learn by studying the masters →
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