apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Twickenham Church, Middlesex
Twickenham Church, Middlesex by John Varley

plate no. 5345

Twickenham Church, Middlesex

John Varley

oilRomanticismlandscaperivertreesskyboatfiguresbuilding
some experience helpful

This painting provides a good opportunity to practice atmospheric perspective and rendering reflections in water. Students can also develop skills in depicting foliage and distant architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, trees, and buildings.

  2. step 02

    Establish the sky with light blue and white, blending softly to create clouds.

  3. step 03

    Block in the distant hills and trees with muted greens and blues, using atmospheric perspective.

  4. step 04

    Paint the river with varying shades of blue and gray, adding subtle reflections of the trees and sky.

  5. step 05

    Add details to the trees, using darker greens and browns to create depth and texture.

  6. step 06

    Paint the building in the distance with light pinks and browns, keeping the details soft.

  7. step 07

    Add the boat and figures in the foreground, paying attention to their relative sizes and positions.

  8. step 08

    Refine the details and add highlights to create a sense of light and atmosphere.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · cadmium red · sap green

Mix greens by combining ultramarine blue, yellow ochre, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·rendering reflections
  • ·broken color

common pitfalls

  • →Overworking the details in the distant elements.
  • →Making the reflections too sharp or defined.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·round brushes (#2, #6)
  • ·flat brush (#8)

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke