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home·artworks·Twenty-Six of June, Old Lyme
Twenty-Six of June, Old Lyme by Childe Hassam

plate no. 3439

Twenty-Six of June, Old Lyme

Childe Hassam, 1912

oilImpressionismgenre paintingfigurewindowflowersmirrorinteriorgarden
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and capturing the effects of light and atmosphere. It also provides practice in rendering reflections and textures using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window, and mirror.

  2. step 02

    Establish the main color blocks for the background, figure, and foreground elements.

  3. step 03

    Begin applying short, broken brushstrokes to build up the colors and textures.

  4. step 04

    Focus on capturing the light and shadow patterns, especially around the window and on the figure's clothing.

  5. step 05

    Add details to the flowers and the reflection in the mirror, using small, precise brushstrokes.

  6. step 06

    Refine the edges and shapes, paying attention to the overall harmony of the colors.

  7. step 07

    Add final touches and highlights to enhance the sense of light and atmosphere.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · cerulean blue · yellow ochre · titanium white · alizarin crimson

secondary · burnt umber · sap green · ultramarine blue

Mix various shades of blue and white to create the figure's robe. Use yellow ochre and burnt umber to create the warm tones of the interior. Mix crimson and white for the pink flowers.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·optical mixing
  • ·layering

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Neglecting the importance of light and shadow.
  • →Losing the freshness and spontaneity of the brushstrokes.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will help to create texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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