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home·artworks·Trio fleuri
Trio fleuri by Jan Toorop

plate no. 7150

Trio fleuri

Jan Toorop, 1886

oilImpressionismportraitfiguresgardenflowersportraitshatsdress
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations and practice loose, expressive brushwork to capture the impressionistic style. Students will also learn to simplify complex forms and create a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the overall proportions.

  2. step 02

    Establish the background with broad strokes, capturing the general colors and shapes of the flowers and foliage.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, paying attention to the light and shadow.

  4. step 04

    Begin to refine the details of the faces and hands, using smaller brushstrokes and subtle color variations.

  5. step 05

    Add details to the clothing, such as folds and textures, using a variety of brushstrokes.

  6. step 06

    Develop the background further, adding more detail to the flowers and foliage.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and harmony.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · titanium white · sap green · alizarin crimson

secondary · ultramarine blue · raw umber · cadmium red light

Achieve the muted tones by mixing complementary colors and using white to lighten values. Create the greens by mixing blues and yellows, and the skin tones by mixing reds, yellows, and browns.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·layering
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the importance of value contrast.
  • →Getting bogged down in rendering every flower individually.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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