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Trees by Ivan Marchuk

plate no. 7815

Trees

Ivan Marchuk, 2011

oilMagic Realismlandscapetreesbuildinglandscapegrassfoliagearchitecture
experienced study

Recreating this painting will help students develop skills in layering, creating texture with dry brush techniques, and understanding atmospheric perspective with a limited color palette. It also encourages careful observation of intricate details in nature.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of trees and the building.

  2. step 02

    Establish the background with a thin wash of light neutral color, representing the building's walls.

  3. step 03

    Begin layering the trees, starting with the darker tones and gradually adding lighter highlights.

  4. step 04

    Use dry brush techniques to create the texture of the tree bark and branches.

  5. step 05

    Paint the grass in the foreground, varying the tones and textures to create depth.

  6. step 06

    Add the finer details, such as the small branches and twigs.

  7. step 07

    Refine the values and contrasts to enhance the overall composition.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · yellow ochre · payne's gray

Mix raw umber and white for the lighter tones of the building and grass. Use burnt sienna and raw umber for the darker tones of the trees. Add a touch of yellow ochre to warm up the browns.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·value control

common pitfalls

  • →Overworking the details and losing the overall sense of depth.
  • →Using too much paint and creating a muddy effect.
  • →Failing to vary the tones and textures in the grass and trees.
  • →Not paying attention to the subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the dry brush techniques.

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oil painting for beginners →how to learn by studying the masters →
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