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home·artworks·Trees Along the Coast (Road to the Sea)
Trees Along the Coast (Road to the Sea) by Joseph DeCamp

plate no. 1090

Trees Along the Coast (Road to the Sea)

Joseph DeCamp, 1897

oil, canvasImpressionismlandscapetreescoastlandscapepathseafoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, and in using broken color techniques to represent light and shadow. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, path, and horizon line.

  2. step 02

    Block in the large areas of color: the sky/sea, foliage, and ground.

  3. step 03

    Begin layering colors within each area, using short, broken brushstrokes to create texture.

  4. step 04

    Focus on capturing the light and shadow patterns on the trees and ground.

  5. step 05

    Add details to the trees, such as individual leaves and branches.

  6. step 06

    Refine the path and the transition between the ground and the sea.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth.

  8. step 08

    Step back and assess the overall balance and harmony of the painting.

color palette

primary · sap green · ultramarine blue · yellow ochre · titanium white

secondary · burnt sienna · cadmium yellow light · viridian

Mix greens by blending yellow ochre and ultramarine blue, and adjust with white for highlights. Create earth tones by mixing burnt sienna with ultramarine blue and yellow ochre. Use white to lighten and create pastel tones for the sky and path.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·Impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the foliage and ground.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (sap green, ultramarine blue, yellow ochre, titanium white, burnt sienna, cadmium yellow light, viridian)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·painting gloves

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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