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home·artworks·Tree linen road, Rouen
Tree linen road, Rouen by Paul Gauguin

plate no. 5955

Tree linen road, Rouen

Paul Gauguin, 1885

oil, canvasImpressionismlandscapetreeslandscapepathautumnfoliageshadows
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It's also a good exercise in understanding atmospheric perspective and color temperature.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the path.

  2. step 02

    Block in the sky and the general areas of light and shadow with thin washes of color.

  3. step 03

    Start building up the foliage using short, broken brushstrokes of various greens, yellows, and oranges.

  4. step 04

    Define the tree trunks with darker browns and blacks, paying attention to the direction of light.

  5. step 05

    Add texture to the path with horizontal brushstrokes, varying the colors to create depth.

  6. step 06

    Refine the details of the foliage, adding highlights and shadows to create a sense of volume.

  7. step 07

    Soften edges and blend colors where necessary to create a harmonious effect.

  8. step 08

    Add final touches and highlights to capture the light and atmosphere.

color palette

primary · yellow ochre · burnt umber · sap green · titanium white

secondary · cadmium orange · ultramarine blue · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Achieve warm browns by mixing burnt umber with cadmium orange. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·color mixing

common pitfalls

  • →Overblending the colors, resulting in a muddy effect.
  • →Ignoring the direction of light and creating flat, lifeless forms.
  • →Using too much detail and losing the overall impressionistic feel.
  • →Not varying the brushstrokes enough, resulting in a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, burnt umber, sap green, titanium white, cadmium orange, ultramarine blue, raw sienna)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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