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home·artworks·Travellers in the mountains
Travellers in the mountains by Carlo Ademollo

plate no. 0353

Travellers in the mountains

Carlo Ademollo, 1850

oil, canvasRomanticismgenre paintingmountainsfigureslandscapeskytreespath
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value. It also provides practice in rendering figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the major mountain shapes and the path.

  2. step 02

    Establish the sky with a light blue wash, blending towards the horizon.

  3. step 03

    Block in the dark areas of the mountains with a mix of dark green and brown.

  4. step 04

    Add the lighter areas of the mountains, using lighter greens and yellows to indicate sunlight.

  5. step 05

    Paint the path, varying the tones to suggest texture and depth.

  6. step 06

    Add details to the mountains, such as trees and rocks, using smaller brushes.

  7. step 07

    Paint the figures in the foreground, paying attention to their proportions and clothing.

  8. step 08

    Refine the details and add highlights to create a sense of realism.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix greens by blending ultramarine blue and yellow ochre. Create earth tones by mixing burnt umber with yellow ochre and white. Achieve atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Ignoring the principles of atmospheric perspective, leading to a lack of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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