apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Transvaal evening (Nelspruit)
Transvaal evening (Nelspruit) by Pieter Wenning

plate no. 1873

Transvaal evening (Nelspruit)

Pieter Wenning

oilImpressionismlandscapelandscapeskycloudsfieldtreeshills
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating atmospheric perspective, and using expressive brushstrokes to suggest form and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line, major landforms, and tree positions.

  2. step 02

    Block in the sky with light blue and white, adding hints of pink and yellow for the clouds.

  3. step 03

    Paint the distant hills with progressively darker shades of blue to create depth.

  4. step 04

    Establish the dark silhouettes of the trees and foliage in the middle ground.

  5. step 05

    Lay down the base color for the field using ochre and yellow.

  6. step 06

    Add vertical strokes of varying yellows, browns, and greens to represent the grass.

  7. step 07

    Refine the cloud shapes and add highlights to the field.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · ultramarine blue · titanium white · yellow ochre

secondary · burnt umber · cadmium yellow · alizarin crimson

Mix blues with white to create the sky, adding small amounts of pink and yellow for the clouds. Use burnt umber and blue for the dark foliage. Vary the yellows and ochres with touches of brown and green for the field.

techniques

  • ·layering
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Making the distant hills too dark, flattening the perspective.
  • →Creating uniform brushstrokes in the field, lacking texture.
  • →Neglecting the subtle color variations in the sky and clouds.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to help create texture. Consider using a fast-drying medium to speed up the drying process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann